Ritmos ya Ngola

We have grown familiar with the sensation of biting into unexpected musical delicacies.  Even so, this trip caught us off guard.  The richness of musical experiments being cooked up in Angola throughout the 60s and 70s, as the south-western African country was wriggling its way towards independence, was a bittersweet beauty to behold.  With hundreds of years of Portuguese influence, and groovin’ musical neighbors like Zaire (now the D.R. Congo) setting powerful precedents, Angolan musicians  were ripe to develop their own hotpot of dance styles.  Though very few Angolan musicians achieved recognition outside the country, the local scene thrived and supported its own artists.

Our feature on Angolan music is slanted heavily towards this time period, when garage rock, semba (a cousin of Brazilian samba), kizomba (upbeat marimba big band), and a myriad of other styles were helping to articulate the struggle for freedom, and create a sense of hope for the people.  The years between 1975-2002 were plagued by civil war, and the music industry suffered as many artists were killed or forced to leave the country.  But Angola is now home to one of Africa’s most dynamic hip hop scenes, as well as a style of frenetic electronic music known as kuduro that has taken the lusophone world by tropical storm.

Also on the show: Evan Catalano, a blue-haired punk rocker from Nelson-based band Thus Far, who discusses and debuts songs from the band’s new EP… recorded last week!

Sénégal, the Wild West

Found on the farthest western tip of the African continent, this small country packs just as big of a punch as its neighbors.  Mbalax music, also native to Gambia, is the popular form of dance music and Kiara (who is unfortunately alone again!) will be playing some of the most popular Mbalax musicians including Youssou N’Dour, Thione Seck and Baaba Maal (who is more popular globally for his adventures in other styles of music).

Musiki wa dansi for the masses!

This week’s magical sonic diversion will bring us to Tanzania, an East African nation with an incredibly wide array of styles and traditions.  West African music is much better known on an international scale, but the far side of this rhythmically rich continent reveals hidden treasures aplenty.  Classical Arabic Taarab music, dansi music aplenty, bongo flava…

Will the surprises never end?  Love to all of humanity, and thank you for the music.

Deutsch Hip Hop, meet Cameroonian Makossa

Germany and Cameroon make unlikely musical mates, but for two hours this week they will reign supreme!  We are joined on the show this week by Christian Gossen, world traveler and connoisseur of fine German hip hop, who shares his favorite underground sounds and brings us up to speed on a scene that remains virtually unknown in this part of the world.

Then for the second half of the show we will explore the breadth of music from Cameroon, a country in Africa that displays a wonderful diversity of landscapes, peoples, and sounds.

Makossa hits with the force of a freight train..  When you feel the beat, you have been converted.  This track by André-Marie Tala, for instance, was played for James Brown when he visited Africa in 1975:

The scoundrel (may he rest in peace) wrote new lyrics and passed it off as his own!

Cameroon: the real thing since forever.

Moor Xalams turn Rock to Sand

Mauritania has a population of only 3 million, and no record industry to create or disseminate music across its vast sandbanks.  Although they get much less exposure than their Malian neighbors to the East, Mauritanians are expert guitarchitects of frantic bliss.  They have been playing lutes (locally known as xalams or tidinits) for centuries, and thus they were warmed up and ready once the electric guitar migrated their way.  Tune in to this week’s episode, and hear ancient Mauritanian sounds transcend the modern soundscape…

Or if you prefer, we could make the old and new battle it out for ultimate supremacy:

And while you hear, lend an ear to this beautifully bizarre new Circus-Dub band from England: