Wooden Trumpets & Water Drums

In the depths of the great African jungle is a nation forgotten by the modern world.. or perhaps never known.  Welcome to the Central African Republic (a.k.a. Centrafrique).

Bayaka Tribesman // Extreme Honey Collecting

Bayaka Tribesman // Extreme Honey Collecting

While global eyes are on the power struggle in Ukraine, the CAR (a nation of roughly the same size) is currently experiencing its own internal division that is bordering on civil war.  The country has long been split between Christian (from the French colonial period) and Muslim (from northern Africa) populations, echoing the same violent saga that ruptured Sudan.  May the people come together and forgive their differences!

Though political struggles have prevented the development of the CAR music industry, many local talents have nonetheless drawn influence from the potent sounds of neighboring countries (notably, Cameroon and the DR Congo) to carve their own masterwork of contemporary rhythms, including the Bangui Rumba.  These boys were tops:

But the sweetest sounds of all remain gloriously hidden in the great jungle connecting CAR, Cameroon and Gabon, preserved from the rolling ball of modern religion and style. The so-called Baka ‘pygmies’ (a term to describe smaller than average humans) of the forest make some of the wildest, most futuristic-sounding, ancient music on the planet.  (In timeless cultures, everyone is a singer!)  Even Herbie Hancock snatched the Baka’s style.  Oh yeah, they rock on guitars too.

Hear these fine sounds and more on the Wandering Rhythms {{CENTRAFRIQUE SPECIAL}}.

Ancient Thunder Dragon Beats

Bhutanese dance groupTashi Delek!  Welcome to the last Shangri-La, the magical moutain kingdom of Bhutan.  Yes, they still have a king – and he is on Facebook.  Wedged in the Himalayas between the two most populous nations on Earth, the land of thunder dragons somehow manages to keep a very low profile and a well-preserved cultural identity.  Miraculously, television wasn’t legalized in Bhutan until 1999, so they were essentially the last country to leave the real world and be hypnotized by the warm electric glow.  Tragic, but inevitable.

Bhutan is so special because it represents the preservation of ancient Tibetan Buddhist culture, now that Tibet has been wiped out by China.  Bhutan was united as a nation in the 17th century by runaway Tibetan lama Shabdrung Ngawang Namgyal, and has since evolved in isolation.  Perched safely in cliff-side dzongs, the Bhutanese are one of the very few societies to have successfully resisted occupation from outside powers for their entire history.

Taktsang Palphug Monastery, with ample parking for up to 6 thunder dragons

Taktsang Palphug Monastery, with ample parking for up to 6 thunder dragons

Until the last few decades, only traditional (really just another word for ‘local’) music existed in Bhutan.  All traditional music can be divided into Boedra (Tibetan style) or Zhungdra (developed in Bhutan).  This stuff is sacred.  And then there’s rock n roll..

Sure, it’s pretty positive stuff.  So is everything on the young Thimphu-based record label M-Studio. But where will they be in another 20 years?  Death metal thrash dub-step polka?  For now, Bhutan teeters the line between ancient depth and innocent modernity.  May they retain their uniqueness, and dragons; forever.

Hear the soundscape of Bhutan {{HERE}}

Craig Aalders )-( Music as Mystery

{Live Sonic Manipulation}

Live Sonic Manipulation!

No one can resist the almighty beat, but on the fringes of the modern musical landscape there is an entirely different beast that defies the comforting confines of rhythmic repetition.  Vancouver-based composer and sound-sorcerer Craig Aalders descends upon the studio this week to share his sublime shifting soundscapes and discuss the rich world of electro-acoustic music — where listeners are encouraged to rethink the boundaries of music and embrace the entire sonic spectrum.  Beautiful vibrations are everywhere, we just need to tune our ears to them.

Stream the broadcast [[HERE]]   And check out Craig Aalders’ bewitching new LP [[HERE]]

For the second part of the show, we travel to the digital shores of Singapore…

Try finding a photo of Singapore that doesn't include a skyscraper

a magical land of old-growth skyscraper forests

Singapore (aka Lion City) is a place of open mixing between Malaysian, Chinese, Indian, and British culture.  This has produced a rich ecosystem of mutant styles and singular vibes.  Among the most interesting was a wild and flourishing rock ‘n’ roll scene in the 1960s.  More than simple mimicry, Singaporeans were taking cues from American musicians and adding their own genuine south-east Asian flavours.  Fascinating; an entire parallel universe of music happening alongside the psychedelic rock movement in America, yet entirely hidden from Western listeners.  For a good introduction to the vibrant 60s scene, check out the Sublime Frequencies compilation Singapore A-Go-Go.

The Stylers were one of the best and most prolific bands of the independence era, producing over a thousand records in at least five languages.  Ya ho!  This track mixes Hokkien vocals with surf guitar solos and handclaps:

Craig Aalders joins us on the trip through Singapore, as we uncover Singlish hip hop, sitar jams, experimental modern rock, Malay-style funk, and … French pop?

Stream the Singapore special [[HERE]].  Long live local music.. and the local reinvention of global music.

Moldova~Flows

Looks like Italy, smells like Romania .. it’s Moldova!  A small, sparsely populated nation with a history of artistic censorship, but as usual there are musical delights that shine through the ages.  This week’s Moldovan soundscape features underground rock from the Soviet era, father-daughter folk & pop, Balkan-punk, hip hop, and amore.

Moldova: Yes, we've got castles

Moldova: “We’ve got big castles”

Here’s a sneak peak that comes with an odd slice of trivia.. the youngest pop star ever, Cleopatra Stratan:

I’m not even ashamed to say it; that’s a seriously catchy tune.

Hear the Moldovan Special HERE (part1) and HERE (part 2).

And also from this week’s broadcast, one of the most sublime re-issues of the year – 70s Zamrock band Salty Dog, hitherto unheard outside of Africa:

too thousand thirteen

wacky world

This week is our annual best-of episode: a rich sampling of some of the most exciting music unleashed on this planet over the past year.  As is the custom on this show, the focus is on undiscovered gems from near and far — artists you probably won’t see on other year-end lists.

Long live sonic liberation and cultural cross-pollination!

Stream part 1 here.      Stream part 2 here.

Below is the program’s playlist, loosely divided by theme and starting right here at home in Vancouver…

Canadiana:

The History of Gunpowder – Time’s Teeth

Blocktreat – Lint Trap

Indigo Kids ft. Ashleigh Eymann – False Prophets

Zoo Owl – Twin Mirror

A Tribe Called Red ft. Sheldon Sundon – PBC

Shad – Progress

Boogat – Ramados

Sublime & Unclassifiable:

Jupiter & Okwess International – Congo  (DR Congo)

Nana – Pequenas Margaridas  (Brazil)

Chico Mann – Magic Touch  (USA)

John Wizards – Lusaka by Night  (South Africa)

Dom La Nena – Anjo Gabriel  (Brazil)

La Yegros ft. El Gato Muñoz – Illuminada (Argentina)

2nd Hour

90s Cover Tunes:

Chicha Libre – Danza de los Simpsons  (USA)

Quantic & Anita Tijoux – Doo Wop [that thing]  (Colombia/France)

Setenta – Smells Like Teen Spirit  (France)

Hip Hop:

Lomepal – Les Battements (France)

Sons of Yusuf – Bank of Amreeka (Kuwait)

Matias Aguayo – El Sucu Tucu  (Chile/Germany)

La Esencia Rítmica Vital – A dónde van las luces cuando las hojas se caen?  (Ecuador)

Psych/Prog Rock:

Boogarins – Erre  (Brazil)

Shugo Tokumaru – Katachi  (Japan)

Pinkunoizu – The Great Pacific Garbage Patch  (Denmark)

Metal:

Darkestrah – Manas the Avenger  (Kyrgyzstan/Germany)

Freak/Folk:

Courtney Barrett – Avant Gardener  (Australia)

The Garifuna Collective – Ayó  (Bélize)